MAKE MINE MYSTERY - http://makeminemystery.blogspot.com
The mystery genre has faced a number of tragic losses in recent months. We will see no new books from Robert B. Parker. We will have a much harder time finding Waldenbooks or Borders Express stores. And now, we will never be able to buy another book from The Mystery Company. That means something to me because this particular independent bookstore was the first to order my novel Blood and Bone. On a less personal note, Jim Huang was a great friend of mystery writers.
Don’t know Jim Huang? Then you probably didn’t attend Bouchercon 2009, which Jim worked hard on. Nor did you attend the smaller but equally fun Magna Cum Murder mystery conference in Muncie, which Jim helped to organize. Jim ran The Mystery Company in Carmel, Indiana for seven years until he was forced to close its doors in the last few days. For those seven years Jim Huang was a great friend to mystery authors and a voice of reason in the industry. His love of the genre was evident, as was his leadership among the small fraternity of mystery booksellers.
The store’s closing had nothing to do with Jim’s business acumen, level of effort or determination. I’m sure it had everything to do with the economic downturn, the consumer shift to online shopping, the huge discounts big book retailers can offer, and the slow but steady growth of e-books which cuts the brick-and-mortar retailer out of the sale entirely. In other words, the loss of The Mystery Company is a symptom of what’s happening in the industry in general.
My understanding is that Jim hasn’t abandoned book selling, but that in a few days he will be managing a college bookstore - at Kenyon College in Ohio to be exact. We wish him the best.I know that Jim gave The Mystery Company everything he had. More to the point, he gave mystery writers and their work everything he had. I hope he maintains a presence at conventions and conferences, and I look forward to shaking his hand again at a future event and thanking him for his years of support.
by Ben SmallFor mystery writers, these are tough times. Not only is the economy in the tank, the outlook for traditional publishing bleak, confusion as to new technologies and how to market oneself, but we see real life examples of torture-creativity we never would have thought of occurring every day.
It's hard to keep up.
Folks, there are some real sickos out there. If you wrote a novel featuring a bad guy who kept a young girl prisoner in his backyard for eighteen years, fathered a child by her, all while being on parole for federal kidnapping and assault charges, you'd have a hard time selling that improbable tale to your
parents. You'd get a roll of the eyes, a mumbled "Right," and then a long lecture about the use of your time.
Bank on it. Even your dog wouldn't eat that book.
So who would have come up with the idea of playing on an estranged wife's musophobia - an unreasonable and disproportionate fear of rats and mice - by creeping to her house early one Sunday and playing nineteen white mice from a paper bag through her mail-slot?
Man, that's evil. And it happened in a Stockholm suburb.
Where's Mickey?Sure, the guy was arrested, charged by mice-huggers no doubt, and let out on bail. The mice are being held at the local police station, awaiting word on handling from the county vet. Meanwhile, the bad guy has demanded his mice be returned, and the authorities are considering his request.
I mean, who could make this stuff up?
Characters in mysteries lie all the time. The bad guys deny they did it. The cops lie in an effort to make them admit it. So lying is a time-honored device in the field of mystery writing. The problem is that lies can have far-reaching consequences, particularly when they are indulged in by our leaders.
This isn't a political discourse, at least not of a partisan nature, as the ability to skirt the truth seems to be an endemic disease in Washington, if not around the all the world's capitals. I get several daily newsletters from groups offering financial advice. I don't always read them, unless the headline catches my fancy. This morning one snagged me with this:
A Time for Honesty, Sacrifice, and a Serious Financial Course Change
The author, who lives in Florida, had just returned from a vacation trip to New York, London and Paris. The most memorable spot he visited was the Churchill Museum and Cabinet War Rooms off St. James Park in Westminster. He described the low-ceiling, cramped quarters in the basement of the UK Treasury where Churchill and his staff worked during the Nazi bombings of London. And he wrote:
"You can listen to the speeches Churchill delivered even as the bombs fell — never lying to the British public about the dire straits they were in ... but also never failing to inspire."
He brought this up because of a feeling that politicians have lost the ability to level with us, particularly when it comes to financial matters. He said there's no Churchill on the scene telling it like it is and asking us for personal sacrifice. "Instead, politicians keep promising the sun, the moon, and the stars — even though we simply can't afford it. We're SPENDING like there's a massive world war going on even though there isn't! And no one seems to want to change this course we're on."
The author pointed out that projections by the OMB (Office of Management and Budget) and CBO (Congressional Budget Office) project the deficit will increase to 18.1 trillion dollars by 2020, with the interest jumping from $188 billion to $840 billion. That's interest, folks, money that doesn't buy you one penny of anything.
But ever hopeful, the article states:
"We CAN still turn things around. We can pull our nation out of this fiscal tail spin. Heck, if the average Londoner could pick himself out of the rubble of his home, brush himself off, and head to work in the middle of the Blitz, then we can show the same stoic resolve here. But that will take real political courage and real sacrifices. There is no easy way out."
Lying may be the thing that ramps up a mystery, but it ain't good when indulged in by our leaders of all stripes. Come to think of it, there ought to be a good mystery plot in there.
Chester Campbell
Do you ever have one of those...
Nope, I'm not going to use that hackneyed expression to start this blog. No. Wait... does that count? I don't think so. Anyway.
Life has been interesting lately, and mostly in the sense that it seems that every time I turn around, there is something there to slow me down. I mean, I'd like to make daily progress on my writing, on the editing jobs I'm doing right now, on the house
my wife and I are building with our own four hands, but no-o-o. Just ain't gonna happen.

Southeastern U.S. has wrought havoc on many farmers, and tens of thousands of people were without power in North Carolina and Tennessee. While we didn't lose power, we did have a problem with water pipes. They froze and burst, and of course it would not be so simple as a single pipe somewhere. Oh, no... it had to be a burst complex water manifold that I managed to create for our homestead's water supply. (You can't see it, but that entire arm of the manifold is split all the way up the back. *sigh*)
Of course this would happen while we have our backup well pump pulled out of the well for repair, too, so no water at the building site at all. This isn't good when you are using concrete and mortar for most of the construction.
Now, you'd think this would mean I could focus on other things, like writing, editing, and so on. Well, not really. I've had one unexpected obligation after another pop up lately, and
generally they are spaced out just far enough to keep me from focusing very much on the jobs I need to do. When I have to be somewhere that is an hour's drive away at 1:00 PM, and I'll spend two hours or more there, basically that afternoon is shot. Reminds me of driving in
Atlanta traffic.
Sometimes when I'm on I-75, or I-285, in afternoon traffic, I get stuck in that slow lane behind someone who's lumbering along, oblivious. I am usually antsy to get around them and get home, but for some reason everyone in the world seems to be buzzing by me in the left-hand lane, just far enough apart to be annoyingly tempting, but too close to allow me to speed up and get around the lummox in front of me. So, I'm stuck in that slow lane. Amazingly enough, it happens with life, too.
It's at that point that I can begin to sympathize with the desperate person who texts while driving. "Am stuk n trafik. Tryin 2 gt hom. C u soon." Maybe that's what
Twitter is for--the desperate texts of a person stuck in the slow lane of life, trying to get things done but not quite succeeding.
Problem is, I hardly even have time to tweet any more.
Here is the point where I'm supposed to wax philosophical and creative, and come up with some pithy homily about how we can make use of the time we have given to us... about how we can relax and do what we need to do, and let the rest of it take care of itself... about some remarkable way I manage to get things done in spite of being stuck in the slow lane.

It ain't gonna happen. I'm fresh out of pithy homilies and inspirational twaddle. I guess the best I can do is this: Folks, I'm gonna grin and bear it even if it means gritting my teeth. But if that fool behind me keeps honking his dang horn, I'm eventually going to haul out that 9mm semiautomatic I keep in the dash (legally registered and licensed) and go all "
24" on him.
Jack's got nothing on me.
Recently someone asked me if my detective has a sidekick. The answer is, "yes." My main character, Ava Rome, undertakes her adventures with the aid of Moon Ito, a tough guy sidekick who kicks ass when called upon.

Sidekick comes from a 17th century gambling term, side-kicker, meaning a strong card held in reserve. The sidekick’s role is to provide backup for a fictional hero. Although the sidekick assumes a subordinate status, his or her abilities are not necessarily inferior. Often the sidekick is equal to or superior to the main character. Little John was better than Robin Hood in their fight with the staff. Tonto was as good a horseman and shot as the Lone Ranger, and he was a better tracker.
The earliest sidekick in literature might be Hanuman, the monkey god, in Valmiki's
Ramayana, the 4th century B.C. Hindu epic. Hanuman is smart and capable with abilities such as leaping over the ocean and lifting mountains. He and his monkey army gave essential help to Rama in rescuing his wife, Sita, from the evil lord Ravana.

In many cases, the sidekick has skills, ability or temperament that complement the main character in some way. Sancho Panza provided realism to counter Don Quixote's idealism. Falstaff was comic relief to Prince Hal's seriousness. In the case of Sherlock Holmes, Watson provides an emotional connection that makes it easier for the reader to get to like Holmes.
Sidekicks are frequently distinguished from the main character by class, ethnicity, culture, or language. They might even be a different species. The alien sidekick is a common feature of science fiction.

The primary bond between the sidekick and the main character is trust and loyalty. Bad guys don't have sidekicks. They have henchmen and minions who are seldom trustworthy.

If the sidekick is a different gender, romantic or sexual tension can wreck the bond of trust and loyalty. The hero seldom has an intimate relationship with a sidekick. Modesty Blaise and Willie Garvin, for example, were completely platonic, even though their adventures brought them into close proximity. On those occasions when Willie sees Modesty naked, he is surprisingly dispassionate. What are we to make of Fiona Glenanne in
Burn Notice? She's Michael Westen's ex-girlfriend. Presumably the intimacy has ended. Is she a sidekick? Who would deny anything to a girl with a gun like that?
The sidekick is generally a well-developed character who serves more than one function in the story. He or she might provide information or counsel, but that is not their sole function. In general they perform those tasks that would be inappropriate or difficult for the hero to perform. Often, they are called upon to rescue the hero. Regardless of function, however, the sidekick shares most of the adventure with the hero.
In my stories, Moon Ito watches Ava's back in dangerous situations. His primary occupation is providing VIP security, so he has access to weapons, vehicles, and communication devices if Ava needs them. Because Ava works in a state with stringent gun laws, Moon's ability to obtain guns is very useful to her. He is not a criminal, but he can call on a number of thugs for support. If a criminal act needs to be performed, Moon can get it done.

Like Hawk and Spenser, there is an ethnic and cultural difference between Moon and Ava. Moon is Japanese-American, born in Hawaii while Ava is Caucasian, a haole. Like Willie and Modesty, there is a gender difference between them without a romantic or sexual component. Moon, however, is not as high-minded about it as Willie. He just knows that Ava isn't interested in him. Like Willie Garvin, Moon speaks a non-standard dialect. For Willie, it's Cockney English, for Moon, it's Hawaiian pidgin English.
Does your main character have a sidekick? Tell us about him or her. Also hop over to my
Hawaiian-eye blog for my
top ten list of favorite sidekicks.Mark Troy
http://www.marktroy.net
We've talked about this before, but since I've been doing so much of this lately I decided to approach the subject again.
I'm working on a new Deputy Tempe Crabtree mystery and have written fifteen chapters.
While I'm doing that I've also been working on the program for the Public Safety Writers Association's conference, which is from June 10 to 17 in Las Vegas. We have so many wonderful speakers I'm really excited about it. The speakers have to pay to come to the conference and their expenses like anyone else so it's a real coup when they agree to come. Besides the speakers we also have an agent and three small press publishers who will give one-on-ones. Anyone who signs up before March 31 can be on a panel if they want to be on one.
Because of these great speakers, I've been promoting the conference like crazy, I don't want anyone to miss out.
http://publicsafetywriter.comAnd...while I'm doing that I am planning the promotion for my next Rocky Bluff P.D. crime novel,
An Axe to Grind. I don't have copies of it yet, so can't set dates for my book launch as yet, but I do have events lined up already.
January has already been busy. Spent one weekend in Ventura with the PSWA Board doing business--and have a bit of fun and some great food. Love the Ventura, CA area--lived there for over twenty years. While we were there, got to see my two daughters and their hubbys who live close by.
We went to the coast this past weekend again, this time to Morro Bay. I belong to the Central Coast chapter of Sisters in Crime and joined with them to put on a writing workshop. Whenever you have an event away from home it means planning what you need to take with you and getting a hotel reservation somewhere that doesn't cost much. Fortunately, going to small coast communities off season is really the best time.
A blog tour is planned for March. So far haven't had any interviews or questionnaires to do for that, but when they start coming in, that'll take some juggling too.
On my personal blog, every Friday I'm interviewing members of PSWA, and I try to have something new every day.
http://marilynmeredith.blogspot.comOnce a week I attend the writers critique group I've belonged to since 1981.
Believe it or not, I also have a life. My hubby expects a bit of time with me each day and we try to go to the movies and out to eat two or three times a month. I'm also the chief cook around here and always have extra folks joining us for dinner. I have four adult children (two live really close by) and lots of grandkids and great grandkids. I teach Sunday School, I'm the Church Clerk and participate in many church activities.
I'm sure I've missed something, but you get the idea, it's a lot to juggle.
I've been watching with interest the developments in book price wars. This one is a battle between Macmillan and Amazon. Macmillan's demanded higher prices for kindle, when apparently $9.99 is the highest Amazon would go.
Amazon pulled all the buy buttons from Macmillan books and was only selling books offered by third party vendors, none bought through Amazon itself.
Then, Amazon gave in under strong protest and decided it would agree to offer bestsellers at $12.99 to $14.99, under strong protest, saying Macmillan had a monopology over its own books.
I'm not sure what to think of this. In a way, it's a good idea for Macmillan to decide and stick to a price. That means authors will get compensated for their hard work, as well as other people involved in production and selling of books. Also, it sounds like Apple will be charging more for Ibook material than the going rates at most books at Amazon.
I actually dropped the kindle price for Killer Career to $3.99 to stay competitive in the ebook and kindle market.
Will the insistence on higher prices help or hurt authors? That's the question. In this poor economy, it's a good thing for books to be readily available at affordable prices. Still, these prices have dropped extremely low. Some authors give away their ebooks or kindles, while others offer them at $.99 or $1.99 in the hopes of attracting volume sales.
Will readers buy at the higher prices? Are publishers like Macmillan pricing themselves out of the market?
What's your take?
Morgan Mandel
http://morganmandel.blogspot.com/Killer Career available at
http://digital-bookshop.com/ , at Amazon and other venues.
Going on midnight, I'm typing away at the computer, with the dog and DH already fast asleep. I hear a loud sound in the direction of the kitchen. My heart pounds. Then I identify the noise as the ice maker dropping ice into the refrigerator's ice bin.
I can be under the covers and hear faint knocking sounds. What is it? It turns out to be the furnace causing the warm air to blow through the vents.
Those are innocuous explanations for ordinary sounds. Now, what if I heard one of the doors creaking at night when the DH is already inside with me? That sound would make me want to grab my cell phone and call 911.
Can you name other ordinary sounds that can become menacing under certain circumstances? Or, maybe you've used one in a book.
Morgan Mandel
http://morganmandel.blogspot.com/Killer Career now at
http://digital-bookshop.com/ and Amazon.
by Jean Henry Mead
I recall a workshop where the instructor impressed upon his students that each word committed to paper should pull its own weight. And that every unnecessary word needed to be culled from the plot.
Writers need to engage their readers, not simply enlighten and entertain them. Creating word images that readers can relate to is preferable to forcing them to fill in the blanks. A Hummer H2 conveys a much stronger image than having your protagonist ride to the rescue in an SUV.
Strong verbs are necessary to give one’s plot a dynamic, energetic tone. Words such as
hurried, leaped and
laughed as opposed to passive words like
thought, imagined, mused or
considered. And as we’ve all been told, stay away from the verb
to be in all its forms because it’s the weakest of words.
Adverbs that end in –ly also weaken your prose. On the other hand, strong specific verbs give writing vitality. I’m reminded of my interview with A.B. Guthrie, Jr. who said, “The adjective is the enemy of the noun and the adverb is the enemy of damn near everything else. Writers use too many descriptive words." As for adjectives, author Lois J. Peterson once said, “One well-chosen adjective can be more effective than two or more, which used together might weaken the idea or image.”
Do we really need adverbs? Not unless it's impossible to come up with strong verbs, such as substituting
rumbled instead of
drove noisily. Cull the adverbs in your second draft and replace them with muscular verbs. As for adjectives, the
rundown house can be rewritten as a
hovel.
Word choices affect the plot’s pace. If every symphony movement maintained the same pace, the audience would either be exhausted or asleep before the finale. So writers need to think of themselves as conductors, controlling the pace with word choices, syntax and variety. Long sentences and paragraphs slow the pace and seem to be introspective while short, choppy sentences are much more dramatic and conducive of action scenes. So, in order to keep your reader reading, alternate your sentences and paragraphs in a variety of lengths.
Sentence rhythm is important so be sure to read your work aloud before committing it to a final draft. Some word choices bring a sentence to an abrupt halt and should be rewritten or replaced, along with all unnecessary words. The musical analogy is a good one because sentence flow is so important.
I love Sarah Graves' Home Repair is Homicide series so much that I barely finish the latest book in the series before I start looking for the next. I don't know exactly why--perhaps because her heroine, Jacobia (Jake) Tiptree is so real to me. The woman could live down the street.
Crawlspace, Graves' newest in the series is no exception to the rule. Jake is busy trying to figure out how to stuff insulation in her house (and striking a chord with this homeowner right there, since I also live in a drafty old place.) Her son is recovering from alcohol addiction and life is going on as normal, when a visiting true crime writer stirs things up by looking at a recent death in the area. Even then, Jake is not all that interested except....
See, this is my problem with reviews. I hate when they tell too much, you know? But suffice it to say, that Jake's adventures into mystery this time put both her son and herself in danger. Read this book!
Another recent read is
Ghastly Glass a Renaissance faire mystery by Joyce and Jim Lavene. This is only the second in the series but it is already a favorite of mine.
Jesse Morton is writing a thesis about crafts in the Renaissance time period. She is researching them by apprenticing herself to various crafts folk at a Renaissance Village in Myrtle Beach. Previously, she had been apprenticed to a basket weaver (Wicked Weaves is the first book in the series.) and this time she is returning at Halloween for a short apprenticeship with a glass blower. Those folks who like to read seasonal mysteries in order to get in the mood will love this one which really makes you feel as though it is Halloween. And regular mystery series lovers will like the character of Jesse and her boyfriend, Chase Manhattan and want to keep reading their adventures. I can't say enough about this series.
So what have you been reading lately? I'm always looking for a good mystery.
Christine Duncan is the author of the Kaye Berreano mystery series. Book two of the series,
Safe House was recently released by Trebleheart books.