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Giving Thanks for the Gift of Writing by Morgan Mandel

Sometimes I get aggravated when I can't think of the words to say exactly what I want. Often, I wish I had more time to spend creating new worlds for others to enter.

I've faced discouragement, wondering if I can complete a manuscript, wondering if I have enough talent to whip it into shape, wondering if readers will like it after it's been released.

I've been plagued by worries about book covers, blurbs, reviews, and all sorts of other concerns, like how to tell others about what my books are about so they'll want to read them.

Despite all the scary or bad times, I still can't deny I love writing. Now that I'm hooked I can't conceive of ever doing without it.  Writing is a friend I can turn to through tough times. It's an escape from the real world into whereever my imagination will take me. When I write, at times I can express myself better than in person. It's an outlet for my emotions, be they happy, sad, envious, angry, or confused.

This Thanksgiving, I'm not only thankful for the blessingsof my family, my dog, my house, my friends, food on the table, a job, my relatively good health, but also for the joy of writing. I'm very lucky to have this wonderful gift. My life would have a big hole in it if I couldn't write any more.

If you're a writer, have you ever stopped to think about what a wonderful gift you have?

A London Adventure

I've returned from London, which was just as rainy as Chicago but slightly warmer. I found that just like Chicago, if you wait a few minutes the weather will change. We had one day with heavy rains, but other than that, it was very nice. But I digress, as we are not standing in an overcrowded ballroom being forced to make polite conversation about the weather, I will share the adventure.

Just to make it interesting, meet Lady Rosalind Reming from the historical romance I'm writing.

ME: Lady Rosalind, thank you for assisting me with my blog today.

LADY ROSALIND: Certainly, I am pleased to share what I can with your delightful readers. Having lived most of my life in London, except for rusticating in the country for the summer, I am sure I can share some delightful insight into a few spots our author has encountered.

Buckingham Palace


Buckingham Palace, which I know as Buckingham House, is the home of the current Queen, Queen Elizabeth II. Although I am not familiar with this woman, as King George III is the current monarch and Prinny (the Prince of Wales) lives at Carlton House It does appear that this Elizabeth takes great care of the place. Everything is so shiny.

This lovely monument sits across from the palace and is honoring another great monarch I do not know, a Queen Victoria. Although this is the first I have seen of the sculpture or heard of this Queen, I must say, it is truly marvelous and this Victoria is a lovely woman I am sure.

This serene setting is in the oldest Royal Park in London, St. James's Park.
To see the park in this light it is hard to imagine that, and this is just a bit of gossip, a certain Lord R was in this park creating a bit of scandal. However, being a victim of a vicious scandal myself, I am loath to repeat the details, at least just yet.

And now, I must part as my cousin Louisa is preparing for her come out ball and I, unfortunately, must participate in the grueling preparations. One would think I would enjoy the preparations, however spending any time in the presence of the ton is never pleasant for me. Even after six long years, they never forget.

ME: Thank you Lady Rosalind, and readers, I hope you enjoyed the first look at what is only the beginning of a wonderful adventure.
Thanks for reading,
June

http://www.junesproat.com/

Experiences

So, this weekend was fabulous. It brought about the culmination of several things I've been looking forward to for a long time.

First, on Friday night, we celebrated my in-laws 50th wedding anniversary. We've been planning this for almost a year now, and the event was everything we wanted it to be and more. The night couldn't have been more prefect if we had scripted the entire thing.

Secondly, NEW MOON finally came out. The long awaited next installment in the Twilight saga hit theaters on Friday. If you've read my blog before, you are familiar with my obssession. My girlfriends and I went twice...yesterday. We hit a ten o'clock show in the morning and then an 8 o'clock show later that evening.

The movie was fantastic...again, the build up and hype definitely lived up to the real thing. But the two movie-watching experiences were very different. The morning showing had an atmosphere of excitment that was palpable. The viewers really got into the story...you could almost feel the tension, feel the emotion at certain times during the movie. The evening crowd however, was completely different. This crowd was made up of mostly teenagers, which made the experience an interesting one. There were screams and shouts when the wolf-pack stripped off their shirts. There was laughter during some of the more emotional scenes. The crowd had a very "Team Jacob" feel to it, which was "difficult" for those of us in the audience who are definitely and wholey committed to "Team Edward". I was really glad we had chosen the morning showing to be our first experience with seeing the movie.

But it got me to thinking. What goes on around us shapes the way we experience things. Watching a movie, reading a book, even creating a scrapbook. When I'm reading a book, if I'm out on the porch with a glass of lemonade on a hot July day, is my experience different than if I were curled up in front of the fire with a cup of hot tea in January? If I'm reading on a crowded plane, am I experiencing the book differently than if I were curled up in my recliner at home?

When I look through the scrapbooks I've created over the years, there are some pages that evoke not only the memory of the event being preserved, but the memory of where I was and who I was with when I created it. And music can really call to mind memories of times gone by.

Our experiences shape us. In writing, our characters have those life-changing experiences as well. It's up to us as the authors, to make those experiences as real and authentic as possible, perhaps even taking note from our own real-life experiences.

So, go out today, and experience something. You'll be glad you did!

Until next time,

Happy Reading!

Debra

www.debrastjohnromance.com

Happy Thanksgiving by Margot Justes

Between scheduled events every weekend this month and working, November slipped by and seemed to disappear.

I do want to acknowledge an incredible holiday, one where at least this time of year we give thanks, and no matter how tough it is out there, we still have something to be thankful for.

I’ve been blessed with a loving family and great friends-friends I’ve kept for many years- decades, and new friends and acquaintances I’ve made since I started writing. My world has only gotten richer, and I’m thankful. I’m not cooking on Thursday, that tradition now belongs to my older daughter, but given the special holiday, we celebrate Thanksgiving on Saturday at our house as well.

On that note, I would like to wish everyone a truly happy and wonderful Thanksgiving!

Till next time,
Margot Justes
http://margotsmuse.blogspot.com
www.mjustes.com
A Hotel in Paris ISBN 978-1-59080-534-3

Writer's block - Real or Not? by Robert W. Walker



Psychiatry has weighed in on the question of creative blocks and have suggested that they have a beginning in the brain, while writers of poetry, story, and novel tell themselves they just need to get out of their own way and just write. We are at once crafting a story that must allow no wires or strings to show; we attempt to stay off stage, behind the curtain, but at times we see ourselves as did the Wizard at the pulleys and gears and we wonder if we may not simply be frauds at work. Then the doubts seep in like water through rock. It’s been done before by better men than me…TV and Film have eaten up and spit out every idea, so why bother? I can’t compete with CGI effects and CSI effects. Why bother. Who do you think you are anyway? Perhaps a man in need of a vacation, a swift kick, a well-meaning nag to thunder and rail at you at such moments? Some external force to challenge you? And if all fails? Are you left on that lonely street called Writers’ Block, and is there or isn’t there such a place?

Although it has been written about in newspapers and magazines, science journals, books on the creative geniuses of our species, books on inventors and sculptors, depicted in untold films and TV programs including Seinfeld, and although a scadfold of medical/psychological articles have been devoted to it along with entire books and a Woody Allen Play, and despite that it has its own Wikipedia page, and that Google has enough entries in it along with ten-step cures for it for hopelessly ‘blocked’ professional…in fact, enough entries to paper a writer’s walls, DOES this thing really exists…or is it all in our heads?

A great many more people believe it is just a writer’s self-serving indulgence, even sloth, that is at work—even in a writer who has penned untold full length, complex novels. Many naysayers point to any other profession and claim these other professions, say pharmacist, bookstore owner, book reviewer, bank teller, even journalist never cry “blocked” and, I presume then, they believe no person in any other profession has ever quit, given up or in, lost days or weeks due to forces within their craniums, had love and hate drive them from a full day’s work or a divorce, the birth of a child, the death of a child, the loss of a job or health..That no journalist ever missed a deadline, no bookstore owner ever closed up shop or the fight against the big box stores and Wal-Mart—forces outside one’s control.

Regardless, there is more than scant evidence and anecdotes about writer’s block that it also occurs with lyricists, poets, and any creative writing arena. If you disbelieve it, Google it. Here below are a handful of the reams of pages on the ‘malaise of the artistic mind which may actually differ from the mind of a McDonald’s worker, a journalist, a shopkeeper, or a news anchor woman; it may be the same difference one finds in a student who can and does complete an Independent Study project and one who is absolutely incapable of completing work wherein s/he has to craft the project, determine its every part and the sum of all, its every parameter from beginning to end with no guarantees of success or payment or heat for the night or pension or percentage or anything.

FROM GOOGLE – selected from hundreds of pages:

1. Writer's Block -- Practical Tips for Beating Your Writer's Block

Though some people say that writer's block doesn't actually exist, the fact remains that most writers have trouble with writer's block at some point in ...

fictionwriting.about.com/od/writingroadblocks/tp/block.htm - Cached - Similar

2. News results for writer's block


Gigwise

Pete Wentz : Pete Wentz suffered writer's block after Mowgli's birth‎ - 1 day ago

Fall Out Boy member Pete Wentz has revealed that after his son Bronx Mowgli was born last November he was unable to write a song for six months. ...

Entertainment and Showbiz! - 41 related articles »


3. Book results for writer's block

Writer's block: and other problems of the pen - by Jenna Glatzer - 250 pages

Writer's Block: The Cognitive Dimension - by Mike Rose - 160 pages

Writer's block: two one act plays - by Woody Allen - 75 pages

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Books From Wikipedia, the free encyclopedia

Jump to: navigation, search

For other uses, see Writer's block (disambiguation).

Writer's block is a condition, associated with writing as a profession, in which an author loses the ability to produce new work. The condition varies widely in intensity. It can be trivial, a temporary difficulty in dealing with the task in hand. At the other extreme, some "blocked" writers have been unable to work for years on end, and some have even abandoned their careers.

Contents

[hide]

• 1 Causes of writer's block

• 2 Notable blocked writers

• 3 Writer's block in Music

• 4 Writer's block as depicted in other media

• 5 References

• 6 External links


[edit] Causes of writer's block

Writer's block may have many causes. Some are essentially creative problems that originate within an author's work itself. A writer may run out of inspiration. A project may be fundamentally misconceived, or beyond the author's experience or ability. (A fictional example can be found in George Orwell's novel Keep The Aspidistra Flying, in which the hero Gordon Comstock struggles in vain to complete an epic poem describing a day in London: "It was too big for him, that was the truth. It had never really progressed, it had simply fallen apart into a series of fragments.") [1]

Other blocks, especially the more serious kind, may be produced by adverse circumstances in a writer's life or career: physical illness, depression, the end of a relationship, financial pressures, a sense of failure. The pressure to produce work may in itself contribute to a writer's block, especially if he is compelled to work in ways that are against his natural inclination, i.e. too fast or in some unsuitable style or genre, and he or she is not willing to adapt. In some cases, writer's block may also come from feeling intimidated by a previous big success, the creator putting on him/herself a paralyzing pressure to find something to equate that same success again. The writer Elizabeth Gilbert, reflecting on her post-bestseller prospects, proposes that such a pressure might be released by interpreting creative writers as "having" genius rather than "being" a genius [1]. In George Gissing's New Grub Street, one of the first novels to take writer's block as a main theme, the novelist Edwin Reardon becomes completely unable to write and is shown as suffering from all those problems. [2]

Recently, the writer and neurologist Alice W. Flaherty has argued that literary creativity is a function of specific areas of the brain, and that block may be the result of brain activity being disrupted in those areas. [3]

[edit] Notable blocked writers

Well-known writers who have suffered from block include George Gissing, Samuel Coleridge, Ralph Ellison, Joseph Mitchell and F. Scott Fitzgerald. Writers who overcame block and published new work after a hiatus of decades include Harold Brodkey, whose novel The Runaway Soul appeared some 30 years after it was first projected, and Henry Roth, whose first novel, Call It Sleep, was published in 1934; his second, Mercy Of A Rude Stream, did not appear until 1994.

[edit] Writer's block in Music

The album Black Clouds & Silver Linings by the progressive metal band Dream Theater contains a song called "Wither", which is about the fear of having writer's block suffered by the guitar player of the band John Petrucci. It is said that the songs in this album are about personal experiences.

[edit] Writer's block as depicted in other media

In works where writers appear as characters, writer's block has often been shown as part of the story.

This is an incomplete list, which may never be able to satisfy certain standards for completion. You can help by expanding it with sourced additions.

• 8½

• Adaptation

• Ask the Dust

• Apur Sansar (The World of Apu)

• Bag of Bones

• Barton Fink

• Californication

• Deconstructing Harry

• El Goonish Shive

• Finding Forrester

• George Lucas in Love

• I Capture the Castle

• JONAS

• Kaiyoppu

• Leaving Las Vegas

• October Road

• The Lost Weekend

• Masters of Horror: The Black Cat

• Meenaxi: A Tale of Three Cities

• Misery

• Quills

• Read or Die

• Secret Window

• Sex and Lucia

• Shabd

• Shakespeare in Love

• Stranger than Fiction

• Swimming Pool

• Sylvia

• The Golden Notebook

• The Shining

• Throw Momma from the Train

• Woman on the Beach

• Wonder Boys

[edit] References

1. ^ George Orwell, Keep The Aspidistra Flying, Chapter 2.

2. ^ George Gissing, New Grub Street.

3. ^ Joan Acolella, "Blocked: why do writers stop writing?, The New Yorker, June 14 2004.

[edit] External links

• Psychology of Writing & Revising

Retrieved from "http://en.wikipedia.org/wiki/Writer%27s_block"

Categories: Writing

But still some will adamantly deny the existence of this nebulous gadfly of a disorder that comes and goes, and many of these same people will accept that a writer may have a Muse or may Channel some force from beyond. I leave it up to you, but it has been my experience that those who have never suffered a serious, long-running bout with the Block may well not understand J. Alfred Prufrock’s disconnect with the world either.

I invite you to leave a comment, no matter which side of the discussion you fall or stand on.

My latest e-book is 160,000 words, divides into three books in one and Children of Salem saw many years of being a blocked book and fitting it should hold a curse on it as it details the terrors of a Witch Hunt and subsequent trials, all the while a devil called Block whispering in my ear that I was incapable of crafting this complex story, and yet readers call the control of the material nothing short of genius – enough to make even a jaded old writer blush pink.

Happy Blockless Writing, and do leave a comment for me!

Rob Walker

http://www.robertwalkerbooks.com/

http://acmeauthorslink.blogspot.com/

http://www.myspace.com/robertwwalkerbooks.com

"Dead On takes the reader's capacity for the imagination of horror to stomach turning depths, and then gives it more twists than a Georgia backroad that paves an Indian trail." - Nash Black
 

AUSTIN S. CAMACHO'S RUSSIAN ROULETTE REVIEWED AT BLOOD RED PENCIL SATURDAY

http://bloodredpencil.blogspot.com - Check out the review on Saturday, Nov. 21.

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Katherine Angela Yeboah

Happy Thanksgiving!

Wishing everybody a wonderful Thanksgiving!
Katherine Angela Yeboah
http://www.katherineangelayeboah.blogspot.com

Posted by Katherine Angela Yeboah on November 25, 2009 at 8:22pm

Gene Cartwright

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We understand how difficult it is to stand out in your efforts to promote your book(s).

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Posted by Gene Cartwright on November 25, 2009 at 5:27pm

MAKE MINE MYSTERY - http://makeminemystery.blogspot.com

Finding Time to Write

In these days of ever increasing demands on our time as the holidays arrive, where do we find time to write? By the time I check email, answer the ones that need answering and check the day’s headlines, follow my favorite blogs and get some calls returned….it’s time to do some promo. Need to post on Twitter and Facebook, GoodReads and Linked In, and don’t go looking at other’s pages, if I can resist.

In between are household responsibilities and friends, volunteer work and bill-paying. And don’t forget the day job – in my case, editing. You may have a longer commute than I do – from kitchen to office – but I often work outside of “regular” 9 to 5 hours, finding myself at the computer late at night.
Right now, we must include seasonal get togethers, shopping and travel and build them into our schedules. Don’t even think about the down time of getting a cold!!

So, when does your writing Muse strike in the midst of the hectic life? Mine has been prodding at me a lot lately…and at times I can’t always indulge the urge. For me, the best time to write is at night. Everyone else is settled down and it’s “my” time. Add to the fact I’m a night owl and it makes sense. How about you – when do you write?

Libby
Libby McKinmer
Romance with an edge
www.libbymckinmer.com
libby@libbymckinmer.com
Also on Twitter, Facebook & GoodReads

Getting To The Point... of View by Austin Camacho

Recently I've had a couple of new writers - who were asking my advice - debate with me about the use of point of view in fiction. They didn't change my mind but they did make me realize that I have to be able to defend MY point of view about my CHARACTERS' point of view.

Well, I’m pretty sure that most editors and agents still consider POV hopping a pet peeve and a sign that they’re dealing with an untrained newbie. They would say, and I agree, that it's best to pick a POV and stick to it. But I can’t deny that many bestselling authors ignore this rule on a regular basis and still sell lots of books. Should we learn from this and follow their lead into a new set of fiction-writing rules?

I say no. First, pick any big name who changes POV and check out his earlier works. I think you’ll find that at the beginning of their writing careers, people don't violate POV rules. I think you have to obey the rules to GET published. But once you’ve got a couple best-sellers under your belt, the universe grants you a bit more latitude. For example, James Patterson seems to give almost every character in a novel some POV time, and worse, they’re all in third person except his protagonist who gets to be in first person! I can’t explain how he gets away with it, I just know he does.

On the other hand, Michael Connelly’s just that good. After several Harry Bosch books he began switching to the criminal’s POV, maybe just to keep things interesting. He’s just so good at what he does that he can make it work. Another writer might look like he was just making it up as he went along. But when Connelly does it, we trust that he knows what he's doing and we’re willing to go along for the ride. I know I’m revealing my blatant hero worship here, but I’d say if you think you’re as good as Connelly, go for it. Me, I’ll stick to one POV… most of the time.There are times that even we mere mortals can get away with going from first person to third person POV or having multiple POVs. For instance, what someone is telling a long story to your protagonist? That’s a reasonable time to switch POV to that of the storyteller.

Or, what if your detective is reading someone else’s letters? You could write a chapter that was the content of the letters, and put that chapter in the voice of the letter writer.

I’m sure there are other possibilities I can’t think of right now. The important thing is that it must be very clear to a reader (an agent or an editor) that you did it on purpose with a clear plan, not just because you didn’t know any better. I think it’s always safer to play by the accepted rules – at least until you’re as big as James Patterson.

The Pros of Prologues

By Chester Campbell

Earl Staggs wrote recently about the often maligned flashback and his reason for using them. I thought I'd take a whack at another of those literary forms that drives some readers, and editors, to distraction: the Prologue. I like them. When, as they say, properly used.

I wrote Prologues in my first two Greg McKenzie mysteries. The fact that I haven't used one since shouldn't be taken as a slight. They just didn't fit or weren't needed in subsequent books. But in those first two, I thought they improved the story.

I write the McKenzie books in first person, from the protangonist's point of view. In the first book of the series, I used a third person Prologue to introduce elements that would improve the reader's understanding of things that would take place during the rest of the story. I wrote it in a dramatic style aimed at grabbing the reader's attention and holding it into the main plot.

In the second book, I used a third person Prologue to introduce the main plot point, which led to the murder. It also served to introduce all of the principal characters and suspects except for my two protagonists. They appeared in Chapter 1.

For my money, the kind of Prologues that gave the introductory chapter a bad name are those that launch the book with a scene from the end of the story and then build toward it. Or those that start from the unidentified murderer's POV. There are some others that have created justifiable ire, but in general I don't understand all the condemnation of Prologues. For some haters, it would apparently be okay if you just named it Chapter 1 instead of Prologue.

I've read comments from people who say they skip over Prologues. Pardon me, but if you're going to read a book, read everything the author put in it. That's like skipping over the dialogue.

I don't imagine my little diatribe has changed the mind of any Prologue dissenters, but them's my sentiments. What do you think?

Including two with Prologues, Chester Campbell has written four Greg McKenzie mysteries featuring a retired Air Force OSI agent and his wife. His newest book introduces PI Sid Chance in The Surest Poison.

Some espionage for writers by Vivian Zabel

I took part in the Muse Online Writers Conference in October, and D.S. Kane had a workshop on how to write about espionage realistically. The information I gained from that workshop will be helpful in some of the upcoming work, and I hope you'll find some of what I share will aid you, too.

Kane listed ten intelligence agencies in the United States: CIA, NSA,FBI, DIA, NCIS, ATF, DEA, NRO, ONI, U.S. Marshals. He said he knows of sixteen, even though he didn't list that many. One that he didn't know about, and that I do because of my research for my WIP, is the Air Force Office of Special Investigations (AFOSI), the Air Force equivalent to NCIS.

Of course other nations have their intelligence agencies, too, such as AFI (intelligence branch of the Israeli Air Force), The Mossad (Israel's "secret" service), and MI-6 (Great Britain).

The more one knows about the intelligence agencies used in writing fiction, the more believable the writing is. Research is vital. I would suggest to begin with D.S. Kane before going to some of the following works:

John Perkins, Confessions of an Economic Hit Man

John LeCarre, Tinker, Tailor, Soldier, Spy

Thomas Gordon, Gideon's Spies: The Secret History of the Mossad

Peter Wright, Spy Catcher: The Candid Autobiography of a Senior Intelligence Officer

Thank you, D.S. Kane, not only for an interesting workshop, but also for information to help writers be better writers.

Oh, yes, to register for the 2010 Muse Online Writers Conference, click on the title. Registering now means you'll receive all the notices and won't forget until after the deadline.



Vivian Zabel

Interview With Lono Waiwaiole


In his varied career, Lono Waiwaiole has been an editor, sports information director and professional poker player. He currently teaches english and social studies in Gaston Oregon and writes hard-boiled, noir mysteries.

Lono's debut novel, Wiley's Lament, was named a finalist for the 2003 Oregon Book Awards for fiction and an Anthony award for best first novel of 2003. It was followed by Wiley's Shuffle (2004) and Wiley's Refrain (2005). The three books feature a tough, cynical poker player named Wiley. The first two books are set in Portland, Oregon and the third is set part in Portland and part on the Big Island of Hawai'i. The Wiley books are known for being as noir as they come. The body counts are high.

In 2009 Lono stepped away from the Wiley series with Dark Paradise (Dennis McMillan Publications.) Dark Paradise is set on the Big Island. It is a modern day crime story whose roots lie deep in the imperialism and "internal colonialism" practiced by the United States on this island culture. The body counts are just as high.


This is the first of a two-part interview with Lono. You can read the second part of the interview tomorrow on The Hawaiian Eye.

Tell us about yourself. Everybody in Hawai'i is part something. What are your parts?
I'm half Hawaiian, a quarter Italian and a quarter Pennsylvania Dutch.

You've probably got the perfect Hawaiian name. Lono is the god associated with clouds, storms and earthquakes. Is that your muse?
I think Lono is also associated with fertility. I suspect my "muse" comes more from that angle, if any.


Your Wiley books are set in Portland, how did you come to set Dark Paradise in Hawai'i?
I moved from Portland to the Big Island as I was wrapping up the second Wiley book, so the third in that series is actually set in both places. Dark Paradise was written almost entirely while I lived over there, and my goal was to transfer some of what I was absorbing from that environment to my fiction.


Dark Paradise is a complicated novel with 10 point of view characters--Geronimo, Nalani, Dominic, Sonny, Buddy, Jesus, Kitano, Jay-jay, Kapua, Robbie. How were you able to get inside the heads of all those different characters?
Assuming that I actually succeeded in doing that (readers will render the ultimate verdict), I don't recall it being particularly difficult. You have to keep in mind that I was on a first-name basis with each of them. It might have been more difficult if they weren't all my children in the first place. As it happened, I knew everything they had ever thought, were thinking and would ever think.


Dark Paradise is set against the backdrop of the NBA Championship series between the Lakers and Pistons. Does that have significance in the story?
One of the things that struck me immediately about Hawai`i is the popularity of basketball. Since I am an addict myself, I always have an eye out for my next connection. The Detroit-Los Angeles series was happening when the actual event which triggered my fictional story occurred, and you couldn't go anywhere on the Big Island at the time without seeing it on a television screen or hearing people argue about it. Originally, the presence of the series was mostly atmospheric, but by the time I was done it had become the organizational structure of the story and somewhat metaphoric as well. The difference between those two teams and the way they were popularly perceived was similar to the way the less-informed view the islands.

That actual event, by the way, was "the biggest drug bust in the history of the Big Island." That actually happened, including the attempt to follow the drugs that ended up in the car being abandoned at the mall drugs intact. As usual, truth is stranger than fiction.


The reader won't find the usual chapters here. Instead, the story is divided up by the different parts of a basketball game. What's the significance in that?
See the previous question for the beginning of this answer. By the time I was revising the manuscript, my appreciation of the NBA playoffs at the time had deepened significantly as far as its application to the story is concerned. I think the characters are constrained by some arbitrary conditions they do not control, and the game parameters seemed like a way to symbolize those constraints.


Speaking of constraints, this novel is definitely noir in that everybody is trapped. Is that a good characterization of the locals in Hawai'i?
I just read a headline which stated that Hawai`i is the second-happiest state in the country. That may be true, but only because joy seems to be implanted in the Hawaiian DNA. I think this happiness is overlaid on a very distressed core which has easily discerned symptoms--exceptionally high levels of substance abuse (including food, I believe), domestic violence, child abuse, etcetera. Locals are unlike their tourist visitors--they know both sides of this picture. Within that understanding, I think they do feel trapped to some extent. It is not a world of their own making, but leaving it means leaving family and cultural ties as well.


Instead of the popular view of Hawai'i, you give us ice and gambling. Which one is closer to the truth?
That's the beauty of the situation over there as far as writing fiction is concerned--both are true (and both are exaggerated to some extent for effect). I think they are two sides of the same coin.


The most compelling characters in the book are Geronimo, an adulterous cop with a gambling problem (he's the good guy) and a teenager named Nalani who becomes an effective player because of the abuse she's suffered from her father. The big question in this reader's mind is, "Will Nalani be all right?" Even at the end, we're not sure. What do you think? Can you say without giving the ending away?
The answer to that question is the same as the answer to this one: Will the Hawaiian Islands be all right? I hope so in both cases. Certainly both have the potential to go either way.

Would you have your students read this book? Is there a lesson for them in it?
There is a lesson for my students in this book, both in its content and in the writing, but I do not encourage them to partake of it. In my school, I have to say Dark Paradise is not school appropriate. Fortunately for me, the superintendent of my school district is a fan of my books and hasn't run me out of town yet.


Was Dennis Mcmillan on board this project from the start? What kind of support did he give you?
He (Dennis) sent several of his shirts (they are collectible Aloha shirts) to the graphic designer, who came up with the cover. Oddly enough, Dennis lived on the Big Island longer than I did and knows it very well.

Dennis wanted this book from the beginning, but it started out as a project with my editor at St. Martin's. That editor moved on right after I delivered it, and St. Martin's decided to pass on it. The book was an orphan for more than a year after that while my agent tried to find somebody other than Dennis to publish it (someone more mainstream, let's say), but after I couldn't stand it any more I said send it to Dennis. To be honest, he was my first choice all along--not because of the potential money he represented, but because of the passion and the reputation for excellence.

As it turned out, he gave me the most important kind of support--he published the book, and he did so beautifully. The rest is pretty much up to me, but I'm okay with that. It was all up to me in the first place, right?

What's next? Will there be more Wileys? Any Hawaiian books? Will we see any of these characters again?
I am embroiled in a screen adaptation of Dark Paradise now. Someone in Hollywood thinks there might be a great film in the book somewhere, and my daughter and I are about to start on our third draft of a screenplay for that producer. We think it's great that they haven't already moved in another direction for screenwriters, but we are still several light years away from a movie actually getting made.

Consequently, I don't have a clear idea of what my next book will be. I have been so immersed in the characters from Dark Paradise that it seems natural to work with them again. On the other hand, Wiley is on the Big Island now, too, and it seems likely that his paths would cross with theirs in the near future. Oh, well, I don't have to sort that out until we finish messing with this screenplay--if we ever do.


Mahalo, Lono, for agreeing to the interview. I, for one, would jump at the chance to meet some of these characters again. These characters on the big screen with the Big Island scenery can't miss.

For more about Lono and Dark Paradise, hop on over to my Hawaiian Eye blog tomorrow.


Mark Troy
http://www.marktroy.net
http://hawaiian-eye.blogspot.com

Onward and Upward

I haven't a clue (get that, mystery related) what I meant by that title.

While thinking what I should post, frankly, I couldn't come up with a thing. It's drawing near to the holidays and to be perfectly honestly I've been focusing on my Thanksgiving dinner shopping list. Last year we went to a daughter's home for the holiday, which was a good thing because I was really sick with the flu--despite having had a flu shot.

This year, because a lot of people will be around, and by people I mean relatives, I wanted to do the honors. Besides, I love having all the leftovers to keep on feeding folks.

For most of this year I've been occupied with promoting my books, first it was No Sanctuary
that came out in January and then Dispel the Mist which appeared in August. While all that was going on I wrote another Deputy Tempe Crabtree mystery and a new Rocky Bluff P.D.

Another Rocky Bluff P.D. crime novel is due for publication after the first of the year and it all begins again.

Analyzing myself, I have a hunch I just need to take a breather and get back to "normal living." I have no more appearances for the rest of the month so though I do plan to continue writing on my w.i.p., yet another Tempe mystery, I can pretend to be just a wife, mom, grandma and great-grandma.

In December I only have two gigs--a talk at a bookstore (one of my favorites even though it's about a 2 1/2 hour drive) and a two day event in a local art gallery.

Of course I'll still be writing blogs and making appearances on Facebook and Twitter.

Frankly, it'll be nice to slow down a bit and relax--maybe I can get some reading in, mysteries, of course, something I've neglected later.

Marilyn
http://fictionforyou.com

Self-Doubt and the Phases of Writing a Novel

I'm currently working on a WIP that excites me very much. I wrote the first fifty pages in two weeks (and no, it wasn't NaNo time) and thought incessantly about the plot, the characters, and fun ways to kill off certain of those characters. Then, as always seems to happen, I ran into a quagmire of doubt, sluggish prose, and dialogue with less crackle than a bowl of Cheerios that had been soaked in milk for a few hours. My beloved project suddenly weighed me down and instead of anticipating my writing sessions, I dreaded them.

This, of course, led to several weeks of doubting myself as a writer. I was just a big old fake. I talked to several other writers (thank goodness for writer's groups!) and found out I was not alone. I then remembered a brilliant post I'd read a few months back by Libba Bray, comparing the stages of writing a novel to a relationship. I post it here for your enjoyment.

Within Ms. Bray's post is a link to another blog by Justine Larbestier about Bad Writing Days.
I also include this link for your amusement.

Both posts pretty much sum up the fact that the majority of writers go through the same phases of infatuation, love, disappointment, resentment, make-up sex, and the inevitable break-up with each project they undertake. And we all have bad writing days. Remembering this always makes me feel much better when I start pounding my head against the wall when things aren't going well.

Exploring Croatia


by Ben Small



I just returned from a three week journey to Croatia.

Research, I swear.

And it worked. I'm putting the Arizona sequel I'd been working on aside, and I'm going with a story that came to me in Dubrovnik. My Croatian memories are fresh and the images -- you may want to glance at my Facebook photo albums -- vivid.

Yup. I'd go back in a minute; the beauty of Croatia speaks for itself -- again, check out my pictures.

You can learn a lot from a trip like this. Stuff you won't find on the internet. I think visiting a site important to a story aids a fuller development of character and story. Little stuff, like realizing that locals are friendlier in northern Croatia than in the South.

Dubrovniks and Splits are not unfriendly; they're just busy, focused on their work, on making money. Yugoslavia used to be Communist, you know...

As you may know, Slovenia has been the most successful of the former Yugo states. Slovenia occupied eight percent of the former Yugoslavia's population and territory, but was responsible for sixty percent of the Yugoslav economy. Slovenia is an engine that not only broke free from its chasis; hell, this dynamo took off to the races. Of the eight new European Union members admitted in 2004, Slovenia was the only contributor to EU coffers. Slovenia was the first of the new admittees to adopt the Euro. It's an economic powerhouse.

Croatia, in turn, is a little further back on the economic scale. Its primary industry is tourism. But Croatia's a long drive, two days at least, and you gotta go through five miles of Bosnia. Granted, the five kilometer drive along the Bosnian Coast and the Great Wall of Bosnia are impressive, but the border inspection folks flash their disapproval and sneer. Some car rental companies won't permit a Bosnian border crossing. You can go by boat, but again, this is a long coastline. The ferry from Split to Dubrovnik is an over-night.

We traveled Croatia by car, South-to-North through Dubrovnik, Jadronova, Hrka National Park, Hvar Island, Split, Montovon, Rovinj and countless seacoast and interior villages and towns. We saw history and culture, and we engaged the people. Thankfully, most of them understood some English.

We saw five star hotels and small villages, Communist-built common structures -- something a Chicagoan might compare to his city's "projects" -- and ages-old stone homes. We saw poverty, the middle class and the wealthy.

But nowhere did we see an unkempt house; nowhere someone with nothing to do. I watched a Dubrovnik man of fifty, weathered and bent, as he rolled granite load after load up a slight hill and on down an old stone road. A wheel cart, two hundred fifty, three hundred pounds of rock. Many, many trips. Every residence we saw, backcountry, seacoast, mountain, or city, showed the pride of its occupants. A tough pride, for sure, one tested and earned. Croatia's been invaded and occupied so many times, by so many different peoples, you can't blame its citizens if they focus on surviving. Croatian people, we saw, work hard, but they take pride in their community. Strong religious and family ties. A well kept house reflects success, pride, honor. Even in the poorest areas, we saw flowers in yards, in windows, fresh paint, maintained wood and stone and glass. Their residences reflect care and loving attention -- even the Communistic towers. You will see laundry on lines beneath windows, but you won't see Detroit.

We talked to Americans who live there now. They love Croatia. I can understand why.

Lessons I've Learned From Running by Christine Duncan

I've been a runner for a while now and I've found it taught me some lessons that I can apply to just about anything--but especially writing.
Lesson 1. I really can run one more step (or one more mile) no matter how tired I am. I can write when I'm tired too. It's a choice.
Lesson 2. No one will care if I don't run (or write) but me. The world is not out there watching.
Lesson 3. Whining does not change lesson one or two.

Sometimes, I meet writers who seem to believe that they can only write under ideal conditions. I've met runners like that too. The problem is, I don't think there are any ideal conditions in this world. Or maybe I just missed the line where they passed them out, who knows?

This post may seem like I'm being cranky. Maybe so. But tonight, after a long day of work, bill paying, a five mile run, and a very late supper, the crankiness is directed inward. I need to remember why I write. Because I choose to. And I am the one who will miss it the most if I don't write.


Christine Duncan is the author of the Kaye Berreano mystery series. Safe House, book two of the series, was released in September.

Plot, Plot, Fizzle, Fizzle

If the plot fizzles out partway through your manuscript, what do you do? It’s a worry faced by writers since we first put stylus to wax, ink to papyrus. We do many things to try to avoid this – we plot, storyboard, brainstorm, journal and sweat! Sometimes we fly by the seat of our pants, letting the plot unfold as it sees fit, then we can add/delete/modify as needed. Some of us detail each movement of the plot, with every move carefully orchestrated.

No matter our best intentions, we can stall. Is it the plot, or has one of our characters gone off track? Do we write our way forward, or go back and check all the threads, finding the one that we lost or dropped?

There are great suggestions for getting around these kinds of problems – and most writers run into them every once in a while – so dish! What is yourbest way to keep your plot storming along, and what do you do when it mires down, even momentarily? Makes no difference if you’re a seat-of-your-pants plotter or a plotter who lays out every twist and turn.

Libby McKinmer
Romance with an edge
www.libbymckinmer.com
libby@libbymckinmer.com
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Morgan Mandel Morgan Mandel created this Ning Network.

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MORGAN'S OWN BLOGSPOT

Still Time Plus Giving Thanks

Still time to let us know  below when you read.
Today, at http://acmeauthorslink.blogspot.com/ I'm giving thanks for the gift of writing. What about you?

When Do You Read?

When I stopped to catch my breath after publishing Killer Career, it dawned on me I'd neglected the enjoyment of reading for too long. During my ten minute breakfast, I'd read the newspaper or a writing magazine, but couldn't get into fiction because I'd have to tear myself away too soon to leave for work.

I'd spent most of my commuting time on the train either writing or promoting my books, and at lunch the same. 

On vacation, I'd had time to read and wanted to spend more time on the other side of the book, so to speak.
To remedy the situation, I tuck a paperback into my tote bag each morning. I read it sometimes on the commuter train, most of the time during lunch or my breaks.

At home in the evening, I very rarely read. There's too much noise and too many interruptions from the TV, the dog and the DH. Right now for example, Rascal is whining for no reason except to get my attention, while a commercial is playing in the living room.

Anyway, I'm glad to have found a way to fit reading back into my schedule and look forward to my time  away from the real world each day, even though it's for a short while.

What about you? When do you read?

Harlequin at War with RWA and MWA


Saturday, Nov. 21 - Morgan Mandel and Margot Justes will be autographing books at the 29th Annual Home Decor, Crafts and More Show at Our Lady of the Wayside, Park Street and Ridge, Arlington Heights, IL from 9-4pm. Stop by and say Hi.

With the announcement of the new Horizons line by Harlequin, the battle has begun. RWA's denounced Harlequin for opening this vanity line, going so far as to take away recommended publisher status and free attendance privileges at the RWA National Conference. MWA has issued a warning and is awaiting Harlequin's response.

On the surface, it seems that Harlequin is trying to take advantage of writers who, unable to get traditional publishing contracts, will gladly pay to get their books published. It doesn't appear they'll make much of a profit by doing so.

Although Harlequin says that the HH line, as it will be dubbed, will be kept separate from the traditional Harlequin books as far as distribution and advertising goes, many traditional Harlequin authors are still uneasy, wondering if Harlequin's strength and reputation could be diluted by this latest move.

As with other industries, the book industry is struggling to keep afloat in these troubling financial times. Maybe this is just one more way for Harlequin to ensure a cash flow by offering an avenue for authors who may have fallen through the cracks or who would just like a book published as a keepsake. Whether or not the books are up to par in quality may or may not be relevant to such individuals seeking such a service. The trickle down effect still has serious authors worried.

What's your take on Harlequin's move? Is Harlequin cheapening its brand, or hedging its bets to cover all bases in a competitive market? Will this be good or bad for Harlequin, and/or for authors in general?

Please Welcome My Guest, Julie Lomoe, Mystery author


Say hello to my guest, mystery author, Julie Lomoe. 

A little bit about Julie -

Julie Lomoe has been named 2009 Author of the Year by the Friends of the Albany Public Library. She was honored at a luncheon on November 14th, and she’s scheduled her first Blog Book Tour to help celebrate and spread the word about this achievement.

And she's a dog lover, too. Her dog has lots more hair than mine. (g)

Julie self-published her two mystery novels, Mood Swing: The Bipolar Murders (2006) and Eldercide (2008). She tried the traditional route to publication for both books, but after a limited number of rejections, she found the process inordinately depressing and turned to print-on-demand technology instead, using the Texas publishing company Virtual Bookworm. She loves the control and involvement she’s had over the published product, including the fact that she was able to use her own cover illustrations for both books. Although she still hopes to land a traditional agent and publisher, she intends to do so on her own terms when the time and the match feel right.




The library’s selection committee for the Author of the Year award chose Julie especially for her novel Eldercide, because of its relevance to current issues surrounding health care reform and our nation’s treatment of the elderly and of end-of-life issues. The award has been given for decades, but this is the first time the committee has chosen a self-published rather than a traditionally published book.

In May, 2009, Julie joined the online Blog Book Tours group. Since then, much to her own amazement, her blog, Julie Lomoe’s Musings Mysterioso (http://julielomoe.wordpress.com) has generated over 14,000 visits. She thanks Dani Greer and the other writers at the BBT Café for encouraging her in this new challenge.
For more about Julie and her background, go to http://acmeauthorslink.blogspot.com/, where she is also featured today.

Both of Julie's books are available online from Virtual Bookworm, Amazon.Com, plus Barnes and Noble

And Now Let's Hear from Julie


IN PRAISE OF SELF-PUBLISHING by Julie Lomoe


True confession time: I’m a self-published author, I’m out and I’m proud! There’s still a certain stigma associated with self-publishing, but the publishing industry is undergoing seismic changes, and I believe those of us who’ve bypassed the traditional system are taking back our power and gaining greater credibility with every passing day.

When I began blogging seriously back in May, I posted about my bipolar diagnosis, saying I’m out and I’m proud. At that time I wrote that self-publishing with a print-on-demand publisher rather a traditional publisher had even more stigma attached than revealing that I’m bipolar. But in the six months since then, I’ve changed my mind. Here are some reasons why.

On Saturday, November 14th, I was honored as 2009 Author of the Year by the Friends of the Albany Public Library for my suspense novel Eldercide. They had a wonderful luncheon in my honor, and when their President Gene Damm introduced me, he pointed out that although they’ve been giving the award for decades, this is the first time they’ve ever chosen a self-published author. The fact that I was self-published didn’t weigh into their decision either positively or negatively; they simply thought my book was the best of the many they considered, and they liked the way I dealt with important social issues regarding aging and death.

In October, I moderated two panels for the Poisoned Pen Web Con, sponsored by Poisoned Pen Press and billed as the first-ever virtual worldwide mystery conference. When I volunteered to serve as moderator, the organizers didn’t ask who had published my books. Rather, they gave me free rein in organizing my panels on social issues and point-of-view. Most of the authors on the panels, which I put together by e-mailing back and forth, had far more impressive publishing track records than mine, but it didn’t matter. (By the way, you can visit the Web Con at the link above to read my panels and access the rest of the conference proceedings free of charge.)

Putting together those two panels made me even more grateful that I took the self-publishing route. Especially in the social issues panel, authors related stories of agents and editors who dictated what they should and shouldn’t write. Child abuse was taboo, for example. Appealing to the broadest possible audience without offending anyone seemed to be the dominant concern, and for the most part, the authors acceded to the restrictions. Those of us who self-publish have no such limitations – we’re free to write about whatever we want, however we want, and to build our own readership without having to appeal to the lowest common denominator.

I tried the traditional route to publication for both my mystery novels. While attempting unsuccessfully to find an agent for Mood Swing: The Bipolar Murders, which deals with mysterious deaths at a social club for the mentally ill on Manhattan’s Lower East Side, I wrote Eldercide. Perhaps mental illness was too specialized a topic, I thought, and I hoped for more success with the novel that drew on my experience running a home health care agency. No such luck: the rejections continued. Approximately 15 rejections for each book – not many at all, but enough to throw me into a profound clinical depression. I nearly gave up, until some writer friends convinced me to try print-on-demand publishing. I did due-diligence online research on POD companies and settled on Virtual Bookworm, a company in Texas that received consistently good reviews. Within two months of my decision, I had a published book in my hands. I had a major say in the design and layout, and I did my own cover illustration. Lo and behold, my depression lifted, and it hasn’t come back since.

Do I still want a big-time agent and publisher? Yes, that would be great, but my life no longer depends on it. And I plan to acquire them on my terms, when and if I choose. In the meantime, the people buying my books don’t care who the publisher is. Bookstores and libraries carry them when I do the necessary outreach, and they’re available worldwide through Amazon and Barnes & Noble. At my high school reunion last June in Milwaukee, I learned the school had purchased both books for their collection of alumni writers. And a fellow alumna from Norway, an exchange student back in the day, had bought them online as well.

Do I recommend POD self-publishing to other aspiring authors? Absolutely, and even more so since I’ve met Morgan and so many other successfully self-published writers on line. I firmly believe we’re just beginning to come into our power. I’ve written more on this topic at my own blog, Julie Lomoe’s Musings Mysterioso. Just check the directory, where topics are archived by subject. Hope to see you there. And thanks, Morgan, for inviting me here today!

Julie Lomoe's Musings Mysterioso
http://julielomoe.wordpress.com/
For more about Julie, come on over to http://acmeauthorslink.blogspot.com/ today, but first -
Please welcome Julie by leaving a comment here.

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